Or would have been driven to the attempt by his own adoring men, much
as Julian was virtually forced to rebel against his emperor.
The parallels with ancient Rome are particularly insistent in this
novella (as in the previous one), and lend it much of its charm. Asimov
seems to have been at his best when he tried to suggest what a truly
classical, universal culture was like, although he himself had only a
hazy knowledge of Greek and Roman culture, through translations. He
tells us somewhere that he tried to learn Latin, but apparently gave up
when his photographic memory did not help much with the intricacies of
the grammar. It is also noticeable that Trantor = Rome seems always to
have inspired him, wherever the planet is referred to, and he refers to
it obsessively. But he is also repelled by the cruelty and overt
superstition of the decadent, Christian Rome.
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