Actually, I think now is the point at which the function of literature
(and literary criticism) is starting to be seen in terms which focus
less on aesthetic and more on practical qualities.
In 1997 physicist Alan Sokal published an article in the cultural
journal Social Text, edited by Stanley Fish, essentially trying to
demonstrate that literary criticism had recruited scientific terms and
scattered them carelessly in an attempt to sound good and to
legitimate its enterprise as being ‘practical'.
This re-ignited the ‘Two Cultures' debate, with some in the arts camp
using evolutionary theories to argue that one of the reasons quantum
physics may be so difficult to comprehend is that it plays no part in
our evolution, therefore we are for the most part neurologically not
equipped to deal with it; conversely, the history of literature
(whether oral or written) is probably as long as the era of man, and
therefore it must have some evolutionary impact, perhaps re-enforcing
group bonds or raising man's consciousness of his own consciousness
which, Antonio Damasio has argued, is what distinguishes us from
animals.
Aside from a lot of hot air, the outcome of this debate seems to be
that, in support of Jeff's initial argument that "The function of
literature, the basis of its cultivation by humanity, is clearly not
solely a matter of enjoyment.", having some loosely ‘biological'
importance which has not yet been properly explored. Secondarily, both
camps have been forced to acknowledge the stilted impressions they
still have of each other, forty years after Snow and Leavis's
celebrity deathmatch on the issue. But, unlike then, this time the
debate also points to a way the two may be partially reconciled.
Firstly as science gets more and more deeply involved in complex
theoretical processes, involving space atoms and quarks which no
casual bystander can witness, it gets more and more detached from
having a real practical value; likewise any technological developments
which do result from scientific enterprise tend to be massively
complex: who knows how their microwave works? As this happens, science
increasingly finds itself having to employ what would, out of context,
be regarded otherwise as ‘cultural' or ‘aesthetic' forms in order to
justify its enterprise. Hence the growth in publishing ‘popular
science', ‘science fiction', the history of science; hence the fact
that many physics departments now employ public education or liaison
officers to mediate its findings to the public in exciting ways; hence
the desire to reconnect the public to science by offering them ways to
get involved in projects through distributed computing. Our awareness
that science has an artistic dimension is raised every time we witness
a fractal image, or a false colour impression (scientists can choose
what colour filters to put on their telescopes) of the crab nebula.
Moving in the opposite direction, literary criticism has had to get
involved with science. As Sokal pointed out, literary criticism does
use many of the discourses of science, although probably applies them
in more considered ways than he suggested. Further, one of the current
developments in neuroscience is the study of consciousness which was,
oddly, still a fairly taboo subject for serious scientists until a few
years ago, and a topic partly elevated to the mainstream by literature
(note Golding's Inheritors, for example). Literary criticism, which is
(if I read it correctly Jeff's argument extends to this) essentially
the study of the ‘literariness' of a piece of work i.e. what makes Poe
literature but a car manual not literary, can offer a way into
consciousness. If the same piece of language (i.e. a single piece of
data) is interpreted in different ways as being poetic or not poetic
(i.e. gives different responses under different conditions, a kind of
quasi-empirical method), then uncovering the reasons for this through
a variety of critical approaches may also help to answer the question
of perception i.e. what it is to be me. So Marxist criticism can
illustrate the underlying ideologies with which we come to a piece of
text (or as Jeff rightly says, "a discourse's purchase within the
social totality"), and therefore to what extent consciousness is
socially (pre-)constructed; feminist or post-colonial criticism
invites us to project ourselves imaginatively into seeing the same
work from alternative viewpoints; psychoanalytic criticism, when it
can get away from the back-passages to which it has been consigned in
recent years, suggests the way the sub-conscious may be accessed by
the process of writing. This is not to suggest that the problem of
consciousness can ever be solved by literary criticism, or indeed any
aesthetic criticism; but then scientists have admitted that it can
never be solved by science either. Some conjunction between the two,
in ways not yet fully explored, seems the likely mediating solution.
I may be yammering about books, but arguably that's closer to home,
closer to mind, than staggering about with galaxies, quarks and
super-computers.
Ishmael
<a style='text-decoration: underline;' href="http://www.thepequod.org.uk" target="_blank">http://www.thepequod.org.uk</a>
"herothatdied" <herothatdied DeleteThis @yahoo.com> wrote in message news:<66Nmd.6631$GV5.1619@trnddc04>...
> "J. Del Col" <delcolja DeleteThis @mail.ab.edu> wrote in message
> news:c0577cc.0411170536.5beaab71@posting.google.com...
> > delatane DeleteThis @yahoo.com (delatane) wrote in message
> > news:<5a8d89ad.0411161840.3a56bc82 DeleteThis @posting.google.com>...
> >> The function of literature is to keep intelligent humanists occupied
> >> yammering about books....
> >
> > There's question begging for you.
> >
>
> >> while the other bastards loot the safe
>
> I was about to ask "then what is the function of literary criticism?" I keep
> looking for practical applications: milk production soars when cows are
> lectured on the ambivalent feminism in the works of Margaret Oliphant;
> inscrutable murders finally solved by separating the proairetic from the
> hermeneutic throughlines in the theories of the case; cold-fusion possible,
> if only you understand that Hydrogen isn't just Hydrogen, it's a metonym
> for... something. That sort of thing. - htd<!-- ~MESSAGE_AFTER~ -->
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