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Kerouac and spontanous prose

 
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Will Dockery's Musical Prose - Designori wrote: That's very pleasant and readable stuff, Will! I find your poetry extremely I used to worry about for years until I cast them aside. You have nicely balanced

Will Dockery's Musical Prose - From: Linda Scheimann thanks Desi, if I may call you so, and I'd like to add: felicite charme verstande Linda Awww, Linda, you'll make me blush... glad you go for it, though! Will wrote in message..

Hey Jack Kerouac - good song.

Jack Kerouac - Hi I wonder how Jack died, since he did long before the other of his friends like Ginsberg and And if anyone can give me a good tips of any books to read about his life? cheers!

Kerouac bio review -
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leichtes

External


Since: Apr 22, 2004
Posts: 10



(Msg. 16) Posted: Sat Apr 09, 2005 12:12 am
Post subject: Re: Kerouac and spontanous prose [Login to view extended thread Info.]
Archived from groups: alt>books>beatgeneration, others (more info?)

in article 1113017899.132791.96460.RemoveThis@o13g2000cwo.googlegroups.com, Will
Dockery at shamankickboxer.RemoveThis@hotmail.com wrote on 4/8/05 11:38 PM:

 >
 > Stuart Leichter wrote:
  >> Will
  >> Dockery wrote on 4/8/05 10:27 PM:
   >>> Gerda Ann wrote:
   >>> dunkers.RemoveThis@pacbell.net wrote: I hope that
   >>> it isn't heresy to hear echoes of Kerouac prosody in the work of
 > Eminem.
   >>>
   >>>>> I haven't seen or heard any Eminem since 2002 or so, when I used
 > my
   >>>>> television screen for target practice with a pistol I'd recently
 > bought...
   >>>>> how do they relate?
   >>>>>
   >>>> The post is a *haiku* you ignorant fuck.
   >>>>
   >>> If it was a Haiku, he would have said so, you silly bitch.
   >>>
   >>>> You think you're a poet and you don't even recognize the most
 > common forms
   >>>> when you see them. Read some books. Take a course. Do SOMETHING
 > besides jerk
   >>>> off. If you learn what poetry is you might actually be able to
 > write
   >>>> something with an ounce of merit.
   >>>>
   >>>> From your foul unlady-like tone, it appears you know *plenty*
 > about this
   >>>> Eminem guy.
   >>>>
   >>>> Silly twit.
   >>>>
   >>> Ah, shaddup, you goofy troll.
  >>
  >> Before you made use of Usenet, Will, I posted a "found haiku" (I
 > think I
  >> called it that).
  >>
  >> A kind reader (a regular, as they're sometimes called) advised me
 > that my
  >> p.o.s. was not haiku, but senryu (she was being generous and kind).
 > She
  >> provided a link to a wonderful resource for haiku, senryu, and other
  >> Japanese forms.
  >>
  >> Do they use the term 'coonass' in your neck of the skyscrapers?
 >
 > Not for a while--- I encountered the term in more portside lands, the
 > bayou, as a reference to a certain breed of Cajun. I haven't heard it
 > come up in my circles in some time, most likely in Woodstock Eddy's
 > group.

Thanks. I'm sure the word is glossed somewhere on the Internet. Apparently,
from what you report, it's still part of the regional dialect and still a
vulgarism. I've never heard it used. It's remarkable that it hasn't left
LA/TX, except for a few instances.

 >
  >> Do you think the priestly class of knowledge owners will survive the
  >> Internet's effects?
 >
 > I have no idea, but since this thread is focused on Kerouac, here's his
 > take on American Haiku, *from the archives*:
 >
 > "The American Haiku is not exactly the Japanese
 > Haiku. The Japanese Haiku is strictly disciplined
 > to seventeen syllables but since the language
 > structure is different I don't think American
 > Haikus (short three-line poems intended to be
 > completely packed with Void of Whole) should worry
 > about syllables because American speech is
 > something again...bursting to pop.
 >
 > Above all, a Haiku must be very simple and free
 > of all poetic trickery and make a little picture
 > and yet be as airy and graceful as a Vivaldi
 > Pastorella."
 > Jack Kerouac
 >
 > Hope this helps.
 >

Not a fucken bit, it sounds like I wrote it but not in those words.<!-- ~MESSAGE_AFTER~ -->

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Gene Palmiter

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Since: Apr 09, 2005
Posts: 2



(Msg. 17) Posted: Sat Apr 09, 2005 12:55 am
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Archived from groups: per prev. post (more info?)

 > Do you think the priestly class of knowledge owners will survive the
 > Internet's effects?
 >
During a time in the early '80's when I was taking classes that used a
mainframe and other classes that used Apple 2's I comptemplated on how
students could not enter the mainframe's Holy of Holies. I foresaw how the
personal computer would be Protestant Reformation for the information age.
The same has happened, now, to the information itself. It's been
democratized. "Owners" of information have to release it as soon as it is
acquired so that they can claim ownership...otherwise someone else might
release it first. A book might come later, but the internet is faster,
editable, and universal in reach.<!-- ~MESSAGE_AFTER~ -->

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leichtes

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Since: Apr 22, 2004
Posts: 10



(Msg. 18) Posted: Sat Apr 09, 2005 12:55 am
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in article mBI5e.8014$B12.7564@trnddc09, Gene Palmiter at
palmiter_gene.RemoveThis@verizon.net wrote on 4/9/05 12:10 AM:

  >> Do you think the priestly class of knowledge owners will survive the
  >> Internet's effects?
  >>
 > During a time in the early '80's when I was taking classes that used a
 > mainframe and other classes that used Apple 2's I comptemplated on how
 > students could not enter the mainframe's Holy of Holies. I foresaw how the
 > personal computer would be Protestant Reformation for the information age.
 > The same has happened, now, to the information itself. It's been
 > democratized. "Owners" of information have to release it as soon as it is
 > acquired so that they can claim ownership...otherwise someone else might
 > release it first. A book might come later, but the internet is faster,
 > editable, and universal in reach.
 >
 >

Hey Gene. Since that has come to pass, do you think the obsolesced priestly
class of knowledge ownership will go quietly into history?<!-- ~MESSAGE_AFTER~ -->
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Dale Houstman

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Since: Apr 09, 2005
Posts: 5



(Msg. 19) Posted: Sat Apr 09, 2005 1:54 am
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Gerda Ann wrote:
 > "Will Dockery" <shamankickboxer.TakeThisOut@hotmail.com> wrote:
 >
  >>dunkers@pacbell.net wrote:
  >>
   >>>I hope that it isn't heresy
   >>>to hear echoes of Kerouac prosody
   >>>in the work of Eminem.
  >>
  >>I haven't seen or heard any Eminem since 2002 or so, when I used my
  >>television screen for target practice with a pistol I'd recently
  >>bought... how do they relate?
 >
 >
 > The post is a *haiku* you ignorant fuck. You think you're a poet and you
 > don't even recognize the most common forms when you see them. Read some
 > books. Take a course. Do SOMETHING besides jerk off. If you learn what
 > poetry is you might actually be able to write something with an ounce of
 > merit.
 >
 > Silly twit.

I'm no great fan of Will's abilities, but I must say that if the above
is an example of haiku, then I'm Jeffery Dahmer. Neither in basic
syllable count (9-11-6?) nor in its tone or imagery.

dmh<!-- ~MESSAGE_AFTER~ -->
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Gene Palmiter

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Since: Apr 09, 2005
Posts: 2



(Msg. 20) Posted: Sat Apr 09, 2005 1:55 am
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 >
 > Hey Gene. Since that has come to pass, do you think the obsolesced
priestly
 > class of knowledge ownership will go quietly into history?
 >
Yes. The place where I was taking those classes was in Northern
California...Humboldt County. Look in an atlas and you will see the name
Humboldt all over the place. I looked into the question of who this person
was and learned, to the best of my old memories, that he met with President
Jefferson (for time reference) and was said to be the last man who had a
fair chance of knowing everything. After that, knowledge increased so fast
and in so many fields that no one ever even tried. Now, he is virtually
forgotten but for the times that the Humboldt Current brings on El Nino.

I foresee how these information priests will be forgotten but for a few
isolated monks living on their self-created mountaintops. They will absorb
what information is brought to them by the postman, but if the want to
expand beyond what is published, the more current information, they will
have to connect to the wider world via the internet. The information highway
is a two-way street. They will have to contribute to be a part of it. Is
there any field where one person knows it all; where one person has done all
the research? I doubt it. To have all the information research one must
communicate...parse the word.<!-- ~MESSAGE_AFTER~ -->
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Dale Houstman

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Since: Apr 09, 2005
Posts: 5



(Msg. 21) Posted: Sat Apr 09, 2005 2:04 am
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Will Dockery wrote:

 >
 > "The American Haiku is not exactly the Japanese
 > Haiku. The Japanese Haiku is strictly disciplined
 > to seventeen syllables but since the language
 > structure is different I don't think American
 > Haikus (short three-line poems intended to be
 > completely packed with Void of Whole) should worry
 > about syllables because American speech is
 > something again...bursting to pop.
 >
 > Above all, a Haiku must be very simple and free
 > of all poetic trickery and make a little picture
 > and yet be as airy and graceful as a Vivaldi
 > Pastorella."
 > Jack Kerouac
 >
 > Hope this helps.
 >

I think Jack gets it almost right, especially in his distinction between
Japanese and English language "syllables" and the non-essential
character of that count in English, but the second paragraph is not
quite right: haiku are not really "simple" (deceptively so perhaps) and
they certainly are not "free of poetic trickery" indulging as they
usually do in various subtle metaphorical "tricks," in word play (as in
their use of "pivot words" that take on multiple meanings depending on
how you read them) and most clearly in their poetic use of color. Jack
perhaps wants to believe the haiku is somehow a primitively unadorned
expression, but the truth is far more complex: they are often written by
lifelong government men who have retired to "country life" and
contemplation, and who "use" the "plain" aspects of nature and rural
life as a vehicle for philosophical excursions. They can be highly
ritualized - relying as they do on ancient natural metaphors, many
echoing previous poems in their lines (which would be picked up on by an
educated reader).

dmh

dmh

dmh<!-- ~MESSAGE_AFTER~ -->
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