The Left Hand of Destiny: Book 1 is the first book of a two-part story
about the new Klingon Chancellor, Martok. We have seen Martok as a
general, but not as Chancellor of the Klingon Empire. This is the
story of his journey home from Deep Space Nine, and what awaits him
when he gets there. It is very well-written for a first-time author
and the book packs quite a punch for any Trek fan.
J.G. Hertzler played Martok on the television show, so you can tell
that this story is near to his heart. Usually when an actor decides to
write a book, it doesn't turn out to be very good. The success rate is
a little better when the book is about the character they've played.
Trek has a good track record in this, though. Andy Robinson wrote the
wonderful Stitch in Time and Armin Shimmerman co-wrote The 34th Rule
about his Ferengi character. Both of those books were wonderful.
Hertzler adds another one to the pile. If you're a Trek fan and an
admirer of Martok, this is definitely the book for you. It is
well-written (with a couple of missteps detailed below) and very
interesting. It brings back many familiar characters from the
television show, but none of them feel forced. They all serve a
purpose and are appropriate for this story. Not only that, but
Hertzler captures their characterization really well. I don't know if
that's Lang's influence or if Hertzler picked it all up while being on
the show, but there are no out of character moments in this book. Worf
and his son Alexander are the most recognizable of the bunch, but
characters from Martok's family also show up and are perfectly
captured from the one episode that featured them. Emperor Kahless is
almost a brand new character, since he didn't really get a lot of
characterization in the one episode that featured him. In addition to
that, he has changed a great deal since that time. He adds a bit of
colour to everything.
The original characters are also interesting, though the villains are
a bit one-note and moustache-twirling to suit my taste. There are very
few scenes from their viewpoint, but it still felt a little off. The
other main original character, Pharh the Ferengi, is priceless though.
He provides a lot of the comic relief in the novel, but he's also an
intelligent character. He's not like most Ferengi. While commerce and
money are still everything to him, he's not as mercenary as most of
the members of his race. Instead, he's a three dimensional character
who is a joy to read about. The interaction between Martok and him not
only adds to Martok's character but also makes the story more
entertaining as a whole.
Of course, the tour de force is Martok himself. Hertzler shows that he
truly understood the character he played on the show. Martok is deep,
brooding, and hesitant to assume this role that has been thrust upon
him. He loves his people and the Empire, but he does not see himself
as the savior that they need. He feels he is simply a man, not a
symbol. He would dearly love to put down the mantle of responsibility
that he has been given when the usurper shows up, but he knows he
can't. I could hear Hertzler's characteristic growl whenever Martok
spoke in the book, and that's a tribute to the authors. The good thing
about these Deep Space Nine books is that the characters can grow and
change. We learn a lot about Martok in this book, even as he learns a
lot about himself and his limits. We get a history for him that he
never had on the show. I think it produced an even more well-rounded
character (though he was wonderful in the show as well). Kudos to
Hertzler for this one.
There are a couple of missteps that bring the level of the book down a
little bit. These missteps are something any first-time author could
do, though you would hope the editors would catch it. First, in a
couple of scenes, characters appear (or at least they're thoughts do)
even when they aren't actually in the scene. For example, a scene is
told from Alexander's point of view, and there is one instance in that
scene where we also get Martok's impressions of what's going on. He is
watching the same thing from elsewhere, so we really shouldn't be
getting his thoughts at this time. The fact that his name only appears
once in the scene makes me think that the authors just lost track for
a moment. Secondly, some of the action is just impossible as it's
described. In one scene, one of the characters does a back-flip
through somebody's legs. I had to do a double-take for a moment. These
and other small problems plague the book and bring it down from a
5-star effort. All of them could have been fixed with a quick
re-reading, and I would have thought Lang would know better.
Still, this is a wonderful book from a new writer. Book 2 sounds like
a roller-coaster ride as well. I hope we get some more Martok stories
from Hertzler in the future.
David Roy
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