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troels2

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Since: Feb 19, 2004
Posts: 643



(Msg. 196) Posted: Wed Oct 31, 2007 4:39 pm
Post subject: Re: How did Sauron do it... [Login to view extended thread Info.]
Archived from groups: alt>fan>tolkien, others (more info?)

In message
<news:1193678203.812908.308380@o80g2000hse.googlegroups.com>
JimboCat <103134.3516 RemoveThis @compuserve.com> spoke these staves:
>
> Troels Forchhammer wrote:
>>

[...]

> Oh, indulge away! I'm pretty sure the various Morambar/FAQ-hater/
> Menelvegor factions will provide substantial discounts on
> indulgences <http://en.wikipedia.org/wiki/Indulgences> in return
> for pledges of support. <g>

Praise Morambar! Praise UFAT! Praise TEUNC! Praise me! . . ..

Oooops! Wink

<snipping lots of good agreement>

>> though I don't think I'd put artefacts hallowed by Varda within
>> the 'natural order' of Middle-earth Wink
>
> No? Then wouldn't you have to remove such things as the stars, the
> sun, and the moon from the natural order?

Well, I suppose I could try to defend these as being outside Arda,
but that wouldn't really address the issue. It would probably have
been better for me to say that such artefacts could, /potentially/,
'violate' this 'natural order' -- not that they do so automatically.

Creating the stars, while being Varda's primary responsibility, is
something I'd definitely put beyond the 'natural order' -- i.e. say
that it is, even when looked at from within Middle-earth,
'supernatural'.

The main problem is that we're dealing with the application of
'natural' and 'supernatural' (and what might lie between these)
within Middle-earth, not as these words would apply in our primary
world.

I'd agree that the Art of the Elves isn't really 'supernatural' as
such (I'd still prefer to call it 'magic', though), but anything that
requires a power that can only come from outside Eä is something I
would prefer to call supernatural. Grace is a perfectly normal thing
in Middle-earth, an integral part of the way 'things' work, but it is
nevertheless a supernatural intervention and as such not a part of
the purely natural order of Arda, even if part of the way things
function.

In the old mythology, the Sun and the Moon would probably be
supernatural (I'm not entirely sure of the objects themselves after
their creation. Their creation was obviously supernatural, but what
about their maintenance -- did that require any kind of supernatural
power? Of course, the ships with the two Maiar would in any case do).
That would of course mean that they would not be part of the 'natural
order' either -- rather like the way the Sun and the Moon were not
really part of the natural order in the old Norse mythology. Once
the Sun and the Moon became the objects we know then to be, they
would cease to be supernatural (I do think this happened at the time
of the Downfall).

The stars would always be different, I think, since I don't think
that it required any further power or attention from any Ainur?

Whether it is possible to come up with a clear-cut way to
distinguish, I don't know. I do think that when Varda hallowed the
Silmarils, she probably allowed them to break the normal rules for
objects in Middle-earth: the Silmarils had abilities that were only
possible because they had a direct divine source (Varda).

<snip>

> Nope: I just can't accept that. I must insist that magic is part
> of the natural order of Middle Earth,

It is important, IMO, to distinguish here between 'magic' and
'magic' Wink

The magic of Elves, Dwarves and Men is, of course, a part of the
'natural order', but the divine interventions, whether by Ainur or
directly by Eru, are 'supernatural' and as such, IMO, not a part of
the natural order (though possibly quite frequent and in some periods
almost common-place).

I'd agree that the product of the supernatural interventions can
enter into the natural order (Arda itself . . .), but this is not a
given thing and where the supernatural power continues to be
effective (such as the hallowing of the Silmarils), that effect will,
IMO, remain supernatural and not a part of the natural order.

> though its "proper place" is in the past, and whatever might be
> left of it in these latter days of the post-fourth age is faded
> and diminished to a mere feeling in the hearts of fallible
> mortals such as we.

And that, of course, applies both to the magic that is part of the
natural order of Arda and the direct presence of supernatural beings
(even in the much lessened forms of the incarnate Istari and
similar): both of these kinds of power have long since faded from
these lands, inhabited by mortal Men.

<snip>

--
Troels Forchhammer
Valid e-mail is <troelsfo(a)gmail.com>
Please put [AFT], [RABT] or 'Tolkien' in subject.

++ Divide By Cucumber Error. Please Reinstall Universe And Reboot ++
- /Hogfather/ (Terry Pratchett)

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troels2

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Since: Feb 19, 2004
Posts: 643



(Msg. 197) Posted: Sat Nov 03, 2007 12:33 pm
Post subject: Re: How did Sauron do it... [Login to view extended thread Info.]
Archived from groups: per prev. post (more info?)

In message
<news:1193934770.798767.52810@50g2000hsm.googlegroups.com>
JimboCat <103134.3516.RemoveThis@compuserve.com> spoke these staves:
>
> Troels Forchhammer wrote:
>>
>> I'd agree that the Art of the Elves isn't really 'supernatural' as
>> such (I'd still prefer to call it 'magic', though), but anything
>> that requires a power that can only come from outside Eä is
>> something I would prefer to call supernatural. Grace is a
>> perfectly normal thing in Middle-earth, an integral part of the
>> way 'things' work, but it is nevertheless a supernatural
>> intervention and as such not a part of the purely natural order of
>> Arda, even if part of the way things function.
>
> Ah, you are always so sensible Troels. Not to mention logical,
> conciliatory and just plain nice.

<blushing>

I've heard it said about Danes (mostly by ourselves) that we aren't
very good at giving or receiving praise (I suppose it's natural that
the two should go together), but thank you in any case for the kind
words.

It is, of course, not fair to single me out -- I would say that this
applies to most regulars here, yourself included (there are those who
prefer a humorous approach, but I'm afraid that my sense of humour is
way to poor for that -- which is why I enjoy it all the more, though
unable to contribute in kind). And naturally none of us can claim to
succeed /always/, even where that is the aim.

> I bet you get yelled at a lot if ever you roam the Wild Lands of
> UseNet.

I guess I must have been restricting myself to the Civilized Lands of
Usenet -- I haven't really been yelled at all that often (getting
lightly flamed by the Softrat was, of course, an honour).

<snip>

>> Once the Sun and the Moon became the objects we know then to be,
>> they would cease to be supernatural (I do think this happened at
>> the time of the Downfall).
>
> I think so to, but I don't think it was a complete and instant
> break from the old to the new order -- Eru is rather subtler than
> that. After all, Elves (and perhaps even the occasional Mortal
> mariner) could still sail the Straight Road. By the end of that
> journey, I'd bet the Sun and Moon were once again filled with
> fruity goodness. It's all in your perspective, perhaps.

I agree entirely. This 'other side' -- or whatever we should call it,
this world in which the Elves could still find the Straight Path --
wasn't available to Men or Dwarves (except by some supernatural help
or grace), but it still existed (for some weird, other-worldly sense
of the present tense) and were accessible for Elves. This was also,
IMO, how Galadriel was able to capture the light of Eärendil's
Silmaril -- she had lived in Aman and therefore she, too, lived at
once in both worlds and could choose to see the light of a Silmaril
or the light of an ultra-hot ball of fusing gas reflected in a
sterile piece of rock . . .

<snip>

> Two messages up, you wrote
>
>> We each meet the book with different backgrounds, applying its
>> contents in different ways. This whole debate [...] I think is
>> not, in actual fact, decided by logical arguments, but by our
>> 'prior', which informed our initial reading.
>
> and though I find the discussions interesting, I just realized
> last night that in my initial reading I never even thought of any
> of these issues.

I think that is quite common. I don't think I consciously gave any
thought to most of the issues we discuss here, though if asked I
would probably have managed some kind of opinion on most of them. I'd
say that is part of how these things work -- that as we read and
become absorbed into the Secondary Belief, we provide the missing
bits ourselves without realizing that we do so (by which I refer not
only to realizing the source as being ourselves, but even to
realizing that there was 'something'). I suppose it's a tribute to
Tolkien's writing that it allow so many different 'fills' and yet
present itself as so very consistent.

> It never occurred to me that the Ring might truly be thinking (or
> at least discerning)

It is also of very great interest if it ever occurred to you that it
might truly be not thinking?

The case I would like to make in favour of discussing these subjects
is not that I wish to convince anyone that I am right -- or be
convinced that they are (beyond the level of mutually agreeing that
both views are possible), but rather that I believe that there is
something to be learned in investigating the differences: under what
preconditions does it become 'natural' to assume that the Ring was
non-sapient (and thus cannot be said to make decisions in a sense
implying more than when the same is said of a computer program[1]),
and under what conditions does the other view become natural?

It is not, however, out of some perverted desire to psychoanalyze
everybody, but because I think that there is something to be learned
about Tolkien by looking at the different views on his books, and how
he is read differently by different people.

I don't think it can be ruled out that I am completely off my dot in
this -- I don't hope so, but I do have some kind of idea that it will
somehow illuminate Tolkien to investigate these differences. I don't
think it is likely to help us divine Tolkien's actual intention
(assuming that he didn't intend it to be ambiguous), but still.

> or that it might have literally spoken to Frodo.

Frodo, Gollum or whoever -- no, that never entered into my mind
either, but I think it is interesting that some people read it that
way.

> I am perfectly comfortable with all these questionable elements
> being metaphorical in the context of a work of fiction (including
> the fox!), and that is pretty much the end of it as far as these
> debates go.

Insofar as they are meant to 'win' -- to convince others of the
correctness of one's own position (beyond a basic acceptance that it
is a 'reasonable' position, of course).

> They certainly do increase my understanding and appreciation of
> the books, but they very, very rarely make me change my mind on
> anything whatever. And I'm ok with that.

Precisely! That is what I mean. The form of the discussions is often
that of trying to convince the other -- or at least of attempting to
'prove' one's own position -- but that, for me, isn't really the main
point (even if I argue energetically in that way); the real gain is
in understanding the books and the author better.


[1] Seeing the announcement of this book
<http://eu.wiley.com/WileyCDA/WileyTitle/productCd-0470062045.html>
I naturally thought of our recent discussions here -- perhaps the
distinction really is more blurry than what we think Wink
See also his earlier book
<http://www.imprint.co.uk/books/haikonen.html>

--
Troels Forchhammer
Valid e-mail is <troelsfo(a)gmail.com>
Please put [AFT], [RABT] or 'Tolkien' in subject.

As far as the laws of mathematics refer to reality, they
are not certain, as far as they are certain, they do not
refer to reality.
- Albert Einstein

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Dirk Thierbach

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Since: Feb 28, 2005
Posts: 281



(Msg. 198) Posted: Sun Nov 04, 2007 9:24 am
Post subject: Re: How did Sauron do it... [Login to view extended thread Info.]
Archived from groups: per prev. post (more info?)

[Sorry for the late answer, have been busy elsewhere]

Stan Brown <the_stan_brown.TakeThisOut@fastmail.fm> wrote:
> Sat, 27 Oct 2007 15:30:30 +0200 from Dirk Thierbach
> <dthierbach.TakeThisOut@usenet.arcornews.de>:
>> if the Silmarils are not "animated" in the same way as the Ring (though
>> maybe to a lesser degree). And Tolkien indeed uses anthropmorphic
>> terms when describing them:
>>
>> [...] and yet, as were they indeed living things, they rejoiced in light
>> and received it and gave it back in hues more marvellous than before.
>>
>> As, usual, Tolkien phrases it ambigously.

> Hmm, I'm not so sure.

You're not sure he phrases it ambigously, or you're not sure the Silmarilli
are "animated" objects?

> That verb form "were" is the subjunctive, used for conditions
> contrary to fact. It seems to me he's saying they are *not* living
> things but in this way they seemed to act like living things.

Yes, exactly. So, even though they are dead objects (like the Ring,
or Gurthang), they act as if they were living things, which have "will of
their own". Which seems to me a good description of "animated" objects
of the Ring-type. If this is correct, then they are out as "mechanical"
evil detectors.

> A different sentence about them does seem borderline to me, though.
> In the sequence where Beren cuts the Silmaril from the Iron Crown,
> Tolkien writes: "As he closed it in his hand, the radiance welled
> through his living flesh, and his hand became as a shining lamp; but
> the jewel suffered his touch and hurt him not."

Borderline in which sense? That seems to perfectly fit the idea that they
do have "will of their own". Good find Smile

- Dirk
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the_stan_brown

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Since: Jan 01, 2004
Posts: 752



(Msg. 199) Posted: Sun Nov 04, 2007 9:24 am
Post subject: Re: How did Sauron do it... [Login to view extended thread Info.]
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Sun, 4 Nov 2007 09:24:51 +0100 from Dirk Thierbach
<dthierbach.DeleteThis@usenet.arcornews.de>:
> [Sorry for the late answer, have been busy elsewhere]
>
> Stan Brown <the_stan_brown.DeleteThis@fastmail.fm> wrote:
> > Sat, 27 Oct 2007 15:30:30 +0200 from Dirk Thierbach
> > <dthierbach.DeleteThis@usenet.arcornews.de>:
> >> if the Silmarils are not "animated" in the same way as the Ring (though
> >> maybe to a lesser degree). And Tolkien indeed uses anthropmorphic
> >> terms when describing them:
> >>
> >> [...] and yet, as were they indeed living things, they rejoiced in light
> >> and received it and gave it back in hues more marvellous than before.
> >>
> >> As, usual, Tolkien phrases it ambigously.
>
> > Hmm, I'm not so sure.

I'm not so sure of the statement to which I responds with "I'm not so
sure." Smile

I'll go further and say that I don't believe that Tolkien phrased it
ambiguously.

--
Stan Brown, Oak Road Systems, Tompkins County, New York, USA
http://OakRoadSystems.com
Tolkien FAQs: http://Tolkien.slimy.com (Steuard Jensen's site)
Tolkien letters FAQ:
http://mysite.verizon.net/aznirb/mtr/lettersfaq.html
FAQ of the Rings: http://oakroadsystems.com/genl/ringfaq.htm
Encyclopedia of Arda: http://www.glyphweb.com/arda/default.htm
more FAQs: http://oakroadsystems.com/genl/faqget.htm
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Dirk Thierbach

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(Msg. 200) Posted: Sun Nov 04, 2007 9:54 am
Post subject: Re: How did Sauron do it... [Login to view extended thread Info.]
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Troels Forchhammer <Troels.DeleteThis@thisisfake.invalid> wrote:
> Dirk Thierbach <dthierbach.DeleteThis@usenet.arcornews.de> spoke these staves:
>> Troels Forchhammer <Troels.DeleteThis@thisisfake.invalid> wrote:

[snip]
>> As, usual, Tolkien phrases it ambigously.

> Actually I don't think it was particularly ambiguous as such -- the
> ambiguity comes from our reluctance to accept what he actually wrote.

Huh? I don't follow you here. What is ambiguity to do with our own
preferences? When someone doesn't state something clearly, he doesn't
state it clearly. No way around that.

> As he wrote it, the Silmarils were /not/ 'living things' -- no surprise
> there, nor any argument from anyone, I assume?

Yes, but that's not the point. The point is, can we infer from that
the the Silmarilli are animated objects in the same way the Ring is?

If you think what Tolkien writes there is unambigously enough for that,
all the better Smile

> As Tolkien wrote it, the Silmarils were able to 'rejoice' in things,
> and able to control their own reactions, 'suffering' the touch of
> Beren, deciding not to hurt him.

I think the latter is definitely less ambigous.

> The problem, with the Silmarils as with the One Ring, is that these
> latter are, in all our experience, exclusively the domain of living
> things,

What do you mean by "the domain of living things"? That they are
described as "animated" objects?

> and such we arrive at a contradiction between our Tolkien's
> words and our experiences.

Well, yes, but where's the problem? Nobody says that LotR has to reflect
the Real World. And animated objects are staple of fairy-tales.

> The question is, /possibly/, the extent to which our primary world
> experiences can be applied to Tolkien's Middle- earth?

Why should that be the question? We expect a subcreation which is similar
but at the same time different from our primary world. To all that's
similar, our experiences can be applied. To all that's different, they
cannot Smile Of course Tolkien is free to make different whatever he
likes...

> Overall Tolkien's language and story-telling makes much use of a the
> romanticist -- or primitive animist -- idea of endowing nature with
> spirits (or one all-encompassing spirit). There're the obvious examples
> of walking trees and speaking animals, but also Legolas hearing the
> stones of Eregion lamenting the Noldo elves: 'deep they delved us, fair
> they wrought us, high they builded us; but they are gone'.

Careful here. These operate clearly different levels: The Ents are
people in the same way Elves, Dwarves and Humans are. The speaking fox
is something of an oddity, probably never edited out when a children's
book changed into something more serious.

Legolas saying "the trees and the grass do not now remember them: Only
I hear the stones lament them" could be merely a poetic way of phrasing
an observation, or some elvish way of sensing nature. In any way it's
very different from Ents as living people.

> The use of antropomorphisms is a strong part of this; Legolas
> explicitly attributes to the stones the capacity to /lament/ the
> Noldor, but nothing anywhere implies that these stones are in any
> way different from the stones of our primary world. How, then, can
> they have complex, and abstract, emotions such as lamenting the
> absence of the Elves that gave them purpose and beauty?

They probably just don't Smile

Maybe it's simpler to explain this, instead of trying to read
everything literally, if you think about the tradition Tolkien writes
in: When people told each other the stories that are now the
fairy-tales and sagas, they really believed that many things in
nature *had* some sort of spirit. Tolkien copies this tradition,
but of course he has to reconcile this with a more modern view.

So we have, one the one hand, "rules" in his subcreation that allow
Ents and Elves, and animated objects like talking swords.

On the other hand, we have the (philological) idea that everything
comes attached with its own history: words "tell" you of their
origin, of the people they used them. Ruins do the same. And I think
this is what is really behind the "deep they delved us" quote:
Tolkien expresses his own emotion here, how he as a philologist and
historian sees things, but that hasn't necessarily anything to do
with the "rules" of ME.

> I am deeply unsure to what extent this romanticist view should be
> taken seriously -- i.e. to what extent it truly applies to the
> underlying 'physics' of Middle-earth.

Probably to very little extent, see above.

> [Silmarilli:] The first thing to be said is that these are
> supernatural even within Arda (i.e. they are against the normal
> natural order and achievable only by arteficers that originate from
> outside Eä -- it is the hallowing by Arda and the power from Sauron
> that makes these items so special in this respect). That means that
> the normal way of things in Middle-earth simply doesn't apply --
> these items are exceptions to the normal rules.

Maybe, but since we don't know what the "normal" rules are, that
doesn't really help. It makes no difference if they are animated
objects by grace of Ainur, or of they are animated objects by the
"normal" rules in ME as long as they are animated objects.

>> It's also remarkable that the Silmarils and the Ring (and the
>> Arkenstone) have another feature in common, namely that the "lust"
>> after them corrupts the mind.

> Yes, though the Arkenstone seems to have been slightly different: it
> only really worked on Thorin's mind (yes, Bilbo was attracted to it,
> but he was never possessed by it),

As people were attracted to the Ring, or the Silmarilli, but never
possessed by them. And know only a short episode about the Arkenstone,
his interaction with Thorin, so to try to infer from that the Thorin
is the only person having been ever possesed by it is probably not
valid. BTW, Shippey has some interesting remarks about the word
"bewilderment" in connection with this episode(s).

- Dirk
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Dirk Thierbach

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Since: Feb 28, 2005
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(Msg. 201) Posted: Sun Nov 04, 2007 9:57 am
Post subject: Splintered Light (was: How did Sauron do it...) [Login to view extended thread Info.]
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Count Menelvagor <Menelvagor.DeleteThis@mailandnews.com> wrote:
> On Oct 29, 9:16 pm, "Christopher Kreuzer" <spamg....DeleteThis@blueyonder.co.uk>
>> "Troels Forchhammer" <Tro....DeleteThis@ThisIsFake.invalid> wrote

>> There is also a book by Verlyn Flieger about the symbolism of Light
>> in Tolkien's works ('Splintered Light'), though it is also about
>> more than just that.

> my memory's a bit vague, but i seem to recall flieger's thesis having
> to do with an analogy between the various sources of light in middle-
> earth and the decline from myth to legend to "mere history."

I tried to read through "Splintered Light", and got stuck various times
(I still have not finished it). I also found myself disagreeing with
her quite often, or just having the feeling that she was missing the
point.

Did anyone have the same experience? Or have I just missed something
important?

- Dirk
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spamgard

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Posts: 2048



(Msg. 202) Posted: Sun Nov 04, 2007 11:05 am
Post subject: Re: Splintered Light (was: How did Sauron do it...) [Login to view extended thread Info.]
Archived from groups: per prev. post (more info?)

"Dirk Thierbach" <dthierbach DeleteThis @usenet.arcornews.de> wrote in message
news:20071104085741.965.3.NOFFLE@dthierbach.news.arcor.de...
> Count Menelvagor <Menelvagor DeleteThis @mailandnews.com> wrote:
>> On Oct 29, 9:16 pm, "Christopher Kreuzer" <spamg... DeleteThis @blueyonder.co.uk>
>>> "Troels Forchhammer" <Tro... DeleteThis @ThisIsFake.invalid> wrote
>
>>> There is also a book by Verlyn Flieger about the symbolism of Light
>>> in Tolkien's works ('Splintered Light'), though it is also about
>>> more than just that.
>
>> my memory's a bit vague, but i seem to recall flieger's thesis having
>> to do with an analogy between the various sources of light in middle-
>> earth and the decline from myth to legend to "mere history."
>
> I tried to read through "Splintered Light", and got stuck various times
> (I still have not finished it). I also found myself disagreeing with
> her quite often, or just having the feeling that she was missing the
> point.
>
> Did anyone have the same experience? Or have I just missed something
> important?

I found it heavy going as well, but overall I think her point was valid.
From what I remember it involved Logos and the work of Owen Barfield, plus
the famous analogy involving Christianity and light, and Tolkien (and
Barfield?) talking about this to C. S. Lewis.

Christopher
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troels2

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Since: Feb 19, 2004
Posts: 643



(Msg. 203) Posted: Mon Nov 05, 2007 12:28 am
Post subject: Re: Splintered Light (was: How did Sauron do it...) [Login to view extended thread Info.]
Archived from groups: per prev. post (more info?)

In message <news:eIhXi.64248$vI1.40911@fe1.news.blueyonder.co.uk>
"Christopher Kreuzer" <spamgard DeleteThis @blueyonder.co.uk> spoke these
staves:
>
> "Dirk Thierbach" <dthierbach DeleteThis @usenet.arcornews.de> wrote in message
> news:20071104085741.965.3.NOFFLE@dthierbach.news.arcor.de...
>>

<snip>

>> I tried to read through "Splintered Light", and got stuck various
>> times (I still have not finished it). I also found myself
>> disagreeing with her quite often, or just having the feeling that
>> she was missing the point.
[...]
>
> I found it heavy going as well, but overall I think her point was
> valid.

I just brought it home from the library this weekend, and am looking
forward to reading it just as soon as I've finished my current go at
LotR Wink

Until then, I obviously cannot really say anything much . . .

--
Troels Forchhammer
Valid e-mail is <troelsfo(a)gmail.com>
Please put [AFT], [RABT] or 'Tolkien' in subject.

Smile
a while
ere day
is done
and all
your gall
will soon
be gone.
- Piet Hein, /Advice at Nightfall/
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Öjevind Lång

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(Msg. 204) Posted: Mon Nov 05, 2007 10:46 am
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Sorry I'm not responding directly to your post, Dirk; for some reason, my
mail program refuses to send off any messages to it.

"Dirk Thierbach" <dthierbach RemoveThis @usenet.arcornews.de> skrev i meddelandet
news:20071104082451.965.1.NOFFLE@dthierbach.news.arcor.de...

[snip]

> Yes, exactly. So, even though they are dead objects (like the Ring,
> or Gurthang), they act as if they were living things, which have "will of
> their own". Which seems to me a good description of "animated" objects
> of the Ring-type. If this is correct, then they are out as "mechanical"
> evil detectors.

Gurthang does indeed seem to have a consciousness. It's not only its words
to Túrin, but when Beleg is given the sword, Melian looks at it and warns
that there is malice in it: "The heart of the smith still dwells in it, and
that heart was black." She also says: "It will not love the hand that it
serves".

>> A different sentence about them does seem borderline to me, though.
>> In the sequence where Beren cuts the Silmaril from the Iron Crown,
>> Tolkien writes: "As he closed it in his hand, the radiance welled
>> through his living flesh, and his hand became as a shining lamp; but
>> the jewel suffered his touch and hurt him not."
>
> Borderline in which sense? That seems to perfectly fit the idea that they
> do have "will of their own". Good find Smile

Yes, one gets the impression that while not exactly sentient, things like
the Silmarilli or Galadriel's phhial still had a sort of sensory and
emotional input and output.
Another intriguing (and haunting) example of sentient or semi-sentient
objects is the stones in Hollin - the entire land, in fact. Gandalf says:
"There is a wholesome air about Hollin. Much evil must befall a country
before it wholly forgets the Elves, if once they dwelt there." To which
Legolas says: "The Elves of this land were of a race strange to us of the
silvan folk. and the trees and the grass do not now remember them. Only I
hear the stones lament them: *deep they delved us, fair they wrought us,
high they builded us; but they are gone.* They are gone. They sought the
Havens long ago."
That is one of my favourite passages in "The lord of the Rings".

Öjevind
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Dirk Thierbach

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Since: Feb 28, 2005
Posts: 281



(Msg. 205) Posted: Mon Nov 05, 2007 10:48 am
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Stan Brown <the_stan_brown RemoveThis @fastmail.fm> wrote:
> I'll go further and say that I don't believe that Tolkien phrased it
> ambiguously.

I don't insist on it. I just tried to be "on the safe side". If you
think it's not, all the better.

- Dirk
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JimboCat

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Since: Oct 09, 2007
Posts: 14



(Msg. 206) Posted: Tue Nov 06, 2007 1:44 pm
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Dirk Thierbach wrote:

>Stan Brown <the_stan_brown.RemoveThis@fastmail.fm> wrote:
>> <dthierbach.RemoveThis@usenet.arcornews.de>:
>>> if the Silmarils are not "animated" in the same way as the Ring (though
>>> maybe to a lesser degree). And Tolkien indeed uses anthropmorphic
>>> terms when describing them:
>>>
>>> [...] and yet, as were they indeed living things, they rejoiced in light
>>> and received it and gave it back in hues more marvellous than before.
>>> That verb form "were" is the subjunctive, used for conditions
>>>
>>> contrary to fact. It seems to me he's saying they are *not* living
>>> things but in this way they seemed to act like living things.
>
>Yes, exactly. So, even though they are dead objects (like the Ring,
>or Gurthang), they act as if they were living things, which have "will of
>their own". Which seems to me a good description of "animated" objects
>of the Ring-type. If this is correct, then they are out as "mechanical"
>evil detectors.

So, if somebody wrote "My computer, as were it indeed a living thing,
insists that when I type 'hte' I /must/ have meant 'the'." you would
conclude that the computer is not a "mechanical miss-spelling
detector"?

Doesn't follow. You are presuming that the author's imputing the
properties of a living thing to a non-living object has literal truth
of some sort. I disagree! It's metaphor all the way down (to misquote
a mathematician/philosopher quoting a "little old lady").

>> A different sentence about them does seem borderline to me, though.
>> In the sequence where Beren cuts the Silmaril from the Iron Crown,
>> Tolkien writes: "As he closed it in his hand, the radiance welled
>> through his living flesh, and his hand became as a shining lamp; but
>> the jewel suffered his touch and hurt him not."
>
>Borderline in which sense? That seems to perfectly fit the idea that they
>do have "will of their own". Good find Smile

It also fits the idea that the author is imputing to them a
metaphorical "will", which /could/ be completely "mechanical" in
nature. I just don't think this is an issue that can be decided on the
evidence. Everyone can have their opinion, of course, and we can try
to guess what JRRT's opinion might be (a strategy we have only touched
upon, based on his Catholicism, mainly), but, well: it's a good
discussion but I think we have to ultimately agree to disagree.

Thus, there is really no reason at all for me to post this message: I
do so only because I have such an apt .sig for it!

Jim Deutch (JimboCat)
--
"A metaphor is when you say one thing and mean something else, but
you're not lying." -- Gutenberg! The Musical!
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Steve Morrison

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Since: Aug 05, 2006
Posts: 72



(Msg. 207) Posted: Tue Nov 06, 2007 11:58 pm
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Dirk Thierbach wrote:

> I tried to read through "Splintered Light", and got stuck various times
> (I still have not finished it). I also found myself disagreeing with
> her quite often, or just having the feeling that she was missing the
> point.
>
> Did anyone have the same experience? Or have I just missed something
> important?

I've still never read all of it, and I've had it for the last three
years! Though the author did have interesting information about Owen
Barfield and his philosophy. But her statement that "each [light and
dark] needs the other" sounds far more appropriate to Ursula K.
Leguin's philosophy than to Tolkien's.

--
The Chapter of the Week MUST be discussed again, at
least as often as before... or sporgery has triumphed.
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Dirk Thierbach

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Since: Feb 28, 2005
Posts: 281



(Msg. 208) Posted: Wed Nov 07, 2007 9:39 am
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JimboCat <103134.3516 DeleteThis @compuserve.com> wrote:
> Dirk Thierbach wrote:

>> Yes, exactly. So, even though they are dead objects (like the Ring,
>> or Gurthang), they act as if they were living things, which have "will of
>> their own". Which seems to me a good description of "animated" objects
>> of the Ring-type. If this is correct, then they are out as "mechanical"
>> evil detectors.

> So, if somebody wrote "My computer, as were it indeed a living thing,
> insists that when I type 'hte' I /must/ have meant 'the'." you would
> conclude that the computer is not a "mechanical miss-spelling
> detector"?

No, because being able to do spell correction is not a behaviour that
distinguishes dead (or "mechanical") from living beings. Nor is, say,
"chess playing". "Rejoicing" is such a behaviour.

Sorry, your example doesn't work.

> Doesn't follow. You are presuming that the author's imputing the
> properties of a living thing to a non-living object has literal truth
> of some sort.

I am not sure what you mean by this. What I am doing is gathering clues
to find out what the author meant. If the author consistently describes
some obviously dead object in a way that is more appropriate to a living
object ("having a will of its own"), then yes, I assume that this
has "literal truth of some sort".

> I disagree! It's metaphor all the way down

It could of course be just metaphor, but I think it happens far to
often and is much to prominent for that. Yes, that's a value judgement,
and as such of course subjective.

> It also fits the idea that the author is imputing to them a
> metaphorical "will", which /could/ be completely "mechanical" in
> nature.

Um. What's a "mechanical" will? The whole point is that as soon as
something has a "will" (or can "rejoice"), in a non-metaphorical
way, than it is no longer "mechanical". It has then attained a
level of complexity that is similar to a living being.

> Everyone can have their opinion, of course, and we can try
> to guess what JRRT's opinion might be (a strategy we have only touched
> upon, based on his Catholicism, mainly), but, well: it's a good
> discussion but I think we have to ultimately agree to disagree.

Sure. Like in every discussion, when can only try to point out the
reasons why we see something the way we see it. Getting everyone to
agree is not the goal Smile

> Thus, there is really no reason at all for me to post this message: I
> do so only because I have such an apt .sig for it!

> "A metaphor is when you say one thing and mean something else, but
> you're not lying." -- Gutenberg! The Musical!

Yes, nice one.

- Dirk
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the_stan_brown

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Since: Jan 01, 2004
Posts: 752



(Msg. 209) Posted: Thu Nov 08, 2007 7:10 am
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Wed, 7 Nov 2007 09:39:43 +0100 from Dirk Thierbach
<dthierbach.DeleteThis@usenet.arcornews.de>:
> JimboCat <103134.3516.DeleteThis@compuserve.com> wrote:
> > Dirk Thierbach wrote:
>
> >> Yes, exactly. So, even though they are dead objects (like the Ring,
> >> or Gurthang), they act as if they were living things, which have "will of
> >> their own". Which seems to me a good description of "animated" objects
> >> of the Ring-type. If this is correct, then they are out as "mechanical"
> >> evil detectors.
>
> > So, if somebody wrote "My computer, as were it indeed a living thing,
> > insists that when I type 'hte' I /must/ have meant 'the'." you would
> > conclude that the computer is not a "mechanical miss-spelling
> > detector"?
>
> No, because being able to do spell correction is not a behaviour that
> distinguishes dead (or "mechanical") from living beings. Nor is, say,
> "chess playing". "Rejoicing" is such a behaviour.

And also No, because "were" is subjunctive, used for conditions
contrary to fact. "As were it a living thing" = "as it if were a
living thing" means it's not, however much it might seem to be.

--
Stan Brown, Oak Road Systems, Tompkins County, New York, USA
http://OakRoadSystems.com
Tolkien FAQs: http://Tolkien.slimy.com (Steuard Jensen's site)
Tolkien letters FAQ:
http://mysite.verizon.net/aznirb/mtr/lettersfaq.html
FAQ of the Rings: http://oakroadsystems.com/genl/ringfaq.htm
Encyclopedia of Arda: http://www.glyphweb.com/arda/default.htm
more FAQs: http://oakroadsystems.com/genl/faqget.htm
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troels2

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Since: Feb 19, 2004
Posts: 643



(Msg. 210) Posted: Thu Nov 08, 2007 10:10 pm
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In message
<news:1194385498.086749.16580@o80g2000hse.googlegroups.com>
JimboCat <103134.3516.TakeThisOut@compuserve.com> spoke these staves:
>

<snip>

> So, if somebody wrote "My computer, as were it indeed a living
> thing, insists that when I type 'hte' I /must/ have meant 'the'."
> you would conclude that the computer is not a "mechanical
> miss-spelling detector"?

I like that example very much, but I'd suggest that we try with some of
the more suggestive passages (i.e. looking at the kind of passages that
have been influential in shaping my own interpretation).

"but the computer suffered his misspelling and corrected it not."? I
don't really think that that works very well -- the wording is, IMO,
inconsistent with the kind of erroneous response that this would
represent had the reactions of the Silmarils been of this 'mechanical'
sort.

I'm not sure how to work around it for the quotations concerning the
Ring -- having a computer decide to leave someone sounds pretty foolish
in the wrong way, but stating that a Computer looks after itself seems
quite reaonable.

How about his (adapted from 'The Rings of Power and the Third Age'):
'There the Computer betrayed him and avenged its maker, for it
uninstalled his firewall as he surfed, and it was lost from the memory.
Then the Hackers saw him as he laboured on the net, and they shot him
with many viruses, and that was his end.'

Frankly, I don't think this would be a natural way to describe a
situation with a computer -- even if it's a home-build one and the user
has killed the builder and taken the computer. This wording, to me,
would suggest a level of active willing by the computer, which I am not
willing to attribute to them.

--
Troels Forchhammer
Valid e-mail is <troelsfo(a)gmail.com>
Please put [AFT], [RABT] or 'Tolkien' in subject.

If more of us valued food and cheer and song above hoarded
gold, it would be a merrier world.
- Thorin Oakenshield, /The Hobbit/ (J.R.R. Tolkien)
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