Andre's comments are pretty accurate. He fought with Pocket
continuously over their desire to only publish horror novels (and they
did their best to paint MINE, BOY'S LIFE, and GONE SOUTH as horror
novels, even though they're not). His fight with an editor at a
different publisher over SPEAKS THE NIGHTBIRD (she wanted to make
substantial changes to the book, essentially turning it into a romance
novel) led to his pulling the book from consideration. Publishers
weren't interested in the next book he wrote, THE VILLAGE, for lots of
lame reasons (American publishers didn't think Americans would read a
novel set in Germany about Russians; European publishers didn't think
Europeans would read such a book written by an American; and other
similar things). He got fed up with fighting with publishers and just
decided to retire.
In 2002, River City Publishing, a small press in Alabama, approached
him about publishing NIGHTBIRD (it wasn't self-published), Pocket did
the paperback, and now Pocket has published THE QUEEN OF BEDLAM, with
plans to publish more novels chronicling Matthew Corbett's career.
Trade paperbacks outsell hardcovers these days, so Pocket decided to
emphasize the trade paperback release of BEDLAM over the hardcover.
You can read a lot more about what happened in this essay by McCammon:
http://www.robertmccammon.com/articles/9812_letter.html
And in these interviews:
http://www.robertmccammon.com/interviews/2002-10-07-post-herald.html
http://www.fwointl.com/artman/exec/view.cgi?archive=23&num=922
Hunter, webmaster for RobertMcCammon.com
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Hunter Goatley, goathunter.RemoveThis@goatley.com
>> Stay informed about: What exactly happened with McCammon's career?